Irvine Welsh's Marabou Stork Nightmares Essay - 1377 Words.
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Welsh, Scotland's brightest young literary rebel (The Acid House, stories, p. 181), weighs in with a technically dazzling and emotionally wrenching portrait of working-class youth wasted in an emotional vacuum. Roy Strang, in his early 20s, enters the story in a coma and leaves it in even worse shape. In between, he recounts his wretched childhood in an Edinburgh housing project, introduces us.
Marabou Stork Nightmares is certainly a nightmarish story, a sometimes bitter and cruel dark fantasy which can indeed be a very bad place for its protagonist (an angry young Scot named Roy Strang): The nightmare for Roy, however, is his waking life; his dreams spent hunting the ungainly Marabou Stork are a comparatively benign escape.
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Marabou Stork Nightmares Roy Strang is engaged in a strange quest in a surrealist South Africa. His mission is to eradicate an evil predator-scavenger bird, the marabou stork, before it drives away the peace-loving flamingo from the picturesque Lake Torto. But behind this world lies another: the world of Roy's bizarre family, the Scottish.
The 1980s and 1990s setting of Marabou Stork Nightmares is a postcolonial era when national liberation for ex-colonies and civil rights for the marginalised have been won, apartheid has been defeated and racism fought on all fronts. The pathologies of domination indulged by the colonialists in the construction of their own identities have been recognised for the injustices that they propagated.
Yet if this hypnotic chronicle of moral and psychological ruin (funnier and far more accessible than Welsh's last full-length novel, Marabou Stork Nightmares) fails to charm a wide readership, it.